Days 2 & 3 – Writers of the Future Workshop

off the grid for 24 hours

When last I posted, we’d all been assigned the task of writing a short story in 24 hours. I was given a random object (a 38 Special shell casing) and told to go interview someone on the street, and then use these things to inspire and craft a story.

And that’s what we did for the last day. I didn’t come up for air for basically fourteen hours (in two 7 hour chunks), which is why I didn’t post the schedule for yesterday

A first

But I did it! I wrote a 5K story in a day, and it has all the bones of a decent story. It’s a rough draft, sure, but it has all the bones. There were valuable lessons in that for me. Perhaps the most valuable lesson of this exercise was to see that I could in fact do this from scratch, with random inspirations; the other was that I could do that in a 24-hour window. That makes me feel good.

So here’s what we’ve been doing: 

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You’ll notice the right-hand column is the schedule of the Illustrator’s track.

the illustrators arrived today

The Illustrators got here yesterday, and we just met them today and saw for the first time the illustrations they did for the stories that will appear in the anthology. I’ll get a close-up of the illustration for my story. The artist (as you can see in the picture) is a young woman; her name is Maricella, and she is from Mexico.

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2016 Writers of the Future Workshop – Fri & Sat Schedule

3 Days left! Larry niven, Mike resnick, nancy kress…

Fri & Sat

NANCY KRESS: “Develop writing rituals to train the ‘Little Man in the Basement.'”

LARRY NIVEN: “If Lucifer’s Hammer gets humanity to do something about this threat, I’ll feel my life was justified.” 🙂

MIKE RESNICK: “You sell your first 3 books on promise. You sell your 4th on record.”

WRITERS OF THE FUTURE Contest Winner!

 

WOTF CONTEST WINNERSunday night, I got a call from Joni Labaqui, the Writers of the Future contest director…

Since I was a finalist already, I knew this was either going to be good news (that I didn’t place in the contest, but I could be happy to be a finalist), or astounding news (that I’d placed).

“Are you ready?” she said. “Your story is one of the winners!”

I’m not sure what she said after that. Something about this being the biggest quarter in the history of the contest (8,000 plus submissions?) and how they were flying me and the other eleven winners (three for each quarter) to LA in April for an all-expense-paid week of workshops and parties and classes with instructors like Tim Powers and K.D. Wentworth, and guests like Larry Niven, Ken Scholes, Robert Sawyer and Mike Resnick.

I’m still stunned just thinking about it. And yes, I’m incredibly excited.

I couldn’t get to sleep that night. I had to step out for a walk. I felt, and still feel, overwhelmingly grateful. I am so thankful that something in my story caught someone’s eye. I know how subjective story judging is. There were surely stories better written, funnier, smarter, sexier. But someone noticed something in mine that set it apart, and I thank my good angels for that.

The Conference is the Real Prize

Yes, there is a generous cash prize, and yes, they publish the twelve winning stories in an anthology. But the real prize is the conference and the intangibles of learning and exposure that week.

A 2010 Winner Explains the Benefits of the Contest and Conference

Brad Torgersen wrote a complete breakdown of the value of the contest and all of its intangibles on his website, here.

Thank you, Writers of the Future! : )