eBook-Slot-Machine GIVEAWAY!
Click the image for a chance to win an ebook copy of The Jack of Souls on Amazon!
Give it a whirl, and share this link with friends! Good luck!
When last I posted, we’d all been assigned the task of writing a short story in 24 hours. I was given a random object (a 38 Special shell casing) and told to go interview someone on the street, and then use these things to inspire and craft a story.
And that’s what we did for the last day. I didn’t come up for air for basically fourteen hours (in two 7 hour chunks), which is why I didn’t post the schedule for yesterday
But I did it! I wrote a 5K story in a day, and it has all the bones of a decent story. It’s a rough draft, sure, but it has all the bones. There were valuable lessons in that for me. Perhaps the most valuable lesson of this exercise was to see that I could in fact do this from scratch, with random inspirations; the other was that I could do that in a 24-hour window. That makes me feel good.
You’ll notice the right-hand column is the schedule of the Illustrator’s track.
The Illustrators got here yesterday, and we just met them today and saw for the first time the illustrations they did for the stories that will appear in the anthology. I’ll get a close-up of the illustration for my story. The artist (as you can see in the picture) is a young woman; her name is Maricella, and she is from Mexico.
The way this works is that she has created 100 lists of 10 possible story elements. First she rolls the percentile dice to select the page, then she rolls one for the list of ten.
When I tried it out, I rolled up: Student, Hotel, Time Travel. Pretty good bones for a story, no?
NANCY KRESS: “Develop writing rituals to train the ‘Little Man in the Basement.'”
LARRY NIVEN: “If Lucifer’s Hammer gets humanity to do something about this threat, I’ll feel my life was justified.” 🙂
MIKE RESNICK: “You sell your first 3 books on promise. You sell your 4th on record.”
In fact, before we came, I searched the internet for one of these from previous years, to no avail. Now that we’ve all got a copy and permission to share, I can post mine. I’ll post one every day this week.
And yes, you see that right: 8 hours today with David Farland and Tim Powers, talking plot construction, characters, theme, conflict, etc., and hearing stories about bar-hopping with Phillip K. Dick. Fantastic. Such a wonderful opportunity.
Below, David and Tim, after they distributed story props to all of us. In the foreground is the prop that is to inspire a story I write tomorrow. In case you’re not familiar, that’s a 9 mm shell casing, which makes my job easy.There are lots of those in fantasy.
The audiobook for The Jack of Souls is up for preorder on Audible, and it’s freaking fantastic! I am so pleased!
Here’s an audio file of the opening pages. The actor, Alex Wyndham, went with an English accent—probably because of the lofty material, 😉 –and he rocks it! Turns out he’s a great character actor.
Even in the first minute I love what he did with the barman. II can’t wait to hear how he did Caris and Willard and Brolli and Bannus’s voices.
I shall have to subject my kids to it on the road trip to the mountains this weekend. Mwa-hahaha!
Announcing the cover for this year’s Writers of the Future Anthology (vol. 32)!
I love this cover. In my opinion it is the best in all 32 years. I think Steampunk lends itself well to this kind of whimsy. And such colors!
What’s in the Anthology?
The anthology, which includes all twelve of this year’s winning short stories (including mine) as well as stories by Brandon Sanderson and Dave Wolverton, is now available for preorder on Amazon.
More in the Anthology
The anthology also features essays on writing by Tim Powers (who wrote On Stranger Tides, from which Pirates of the Caribbean was made), and others.
Final Edits
My story is now in final edits. I got to work with the fabulous Dave Farland (Dave Wolverton), who will also be at the conference. How lucky was I that my spring break coincides with the week-long conference and gala? Can’t wait.
Sunday night, I got a call from Joni Labaqui, the Writers of the Future contest director…
Since I was a finalist already, I knew this was either going to be good news (that I didn’t place in the contest, but I could be happy to be a finalist), or astounding news (that I’d placed).
“Are you ready?” she said. “Your story is one of the winners!”
I’m not sure what she said after that. Something about this being the biggest quarter in the history of the contest (8,000 plus submissions?) and how they were flying me and the other eleven winners (three for each quarter) to LA in April for an all-expense-paid week of workshops and parties and classes with instructors like Tim Powers and K.D. Wentworth, and guests like Larry Niven, Ken Scholes, Robert Sawyer and Mike Resnick.
I’m still stunned just thinking about it. And yes, I’m incredibly excited.
I couldn’t get to sleep that night. I had to step out for a walk. I felt, and still feel, overwhelmingly grateful. I am so thankful that something in my story caught someone’s eye. I know how subjective story judging is. There were surely stories better written, funnier, smarter, sexier. But someone noticed something in mine that set it apart, and I thank my good angels for that.
The Conference is the Real Prize
Yes, there is a generous cash prize, and yes, they publish the twelve winning stories in an anthology. But the real prize is the conference and the intangibles of learning and exposure that week.
A 2010 Winner Explains the Benefits of the Contest and Conference
Brad Torgersen wrote a complete breakdown of the value of the contest and all of its intangibles on his website, here.
Thank you, Writers of the Future! : )
Just found out a short story of mine is a finalist in the Writers of the Future contest! Very excited and grateful.
My story is among seven other finalists for the fourth quarter; the top three will appear in this year’s anthology, along with the top three from the other quarters. (Fingers crossed!) Not sure when the winners will be announced, but I am so thankful just to be among the finalists. :)!
Here’s a humorous treat for you: the opening passage to an essay by Douglas Adams, titled “DNA / Riding the Rays.”
Every country is like a particular type of person. America is like a belligerent, adolescent boy, Canada is like an intelligent, 35 year old woman. Australia is like Jack Nicholson. It comes right up to you and laughs very hard in your face in a highly threatening and engaging manner. In fact it’s not so much a country as such, more a sort of thin crust of semi-demented civilisation caked around the edge of a vast, raw wilderness, full of heat and dust and hopping things.
Tell most Australians that you like their country and they will give a dry laugh and say ‘Well, it’s the last place left now isn’t it?’, which is the sort of worrying thing that Australians say. You don’t quite know what they mean but it worries you in case they’re right.
Just knowing that the place is lurking there on the other side of the world where we can’t see it is oddly unsettling, and I’m always looking for excuses to go even if only to keep an eye on it.
For the whole article: http://www.douglasadams.com/dna/980707-08-a.html
The commander of the sloop was hurrying about and giving a world of orders,which were not very strictly attended to, one man being busy in lighting his pipe,and another in sharpening his snicker-snee.
Oh never shall I
Forget the cry,
Or the shriek that shriekèd he,
As I gnashed my teeth,
When from its sheath
I drew my snickersnee !
From Dictionary.com
Weirder than Fiction
Building Believable (and Fantastic!) Fantasy Worlds
Reality is often truly stranger than anything you could make up, so it pays to research.
Take this picture from a late 17th century fashion mag displayed in the Rijks Museum, Amsterdam. Look close.
Look how hard these guys are working! That hair! Those stockings! Those accessories! They look like 80s glam rockers!
The Inredibles
Turns out, there was a name for this Captain Jack Sparrow style of dress back then. Here is what the Rijks Musuem had to say about them in their Fashion Magazines exhibit: They were called, “The Incredibles.” Not kidding.
So This was Actually Satire of the High Fashions of the Rich!
Still, I am not sure they succeeded in making it more ridiculous than the actual fashions. How could they? Here is one of the men they mocked, also from a fashion mag of the time:
Dude. You’re wearing pink and white candy-cane-striped tails with yellow pantaloons. Nailed it.
Extremities of Female High Fashion
I wish I had more pictures of ridiculous wealthy men’s attire from the time, but most of the extreme examples are of women’s fashion.
Like these insane hairstyles for women.
The Ship one is my favorite:
Here is the Timeless Message of High Fashion:
1) Since no one could possibly do work in such attire, I am clearly wealthy.
2) Since the time it takes to design and execute such confections of hair/clothing makes it impossible to do any actual work during the day, I am clearly wealthy.
3) Since the cost of my fashion–not just in time but in money–is astronomical, I am clearly wealthy.
Building This Principle Into Fantasy A World
A good illustration of this in fantasy is in Martin’s A Game of Thrones (the books, anyway) where the fashion of the noble women of the slave city of Meereen is a dress that is essentially a mummy wrap from neck to ankles, making it impossible for the women to walk in anything but tiny little steps. Clearly, those women are NOT doing any work!
Here’s a dress from modern day high fashion that might have been from Meereen:
I apologize I don’t know where this image came from originally, or I would cite it. I found it via google on a Pinterest page. Anna D made a comment connecting it to Daenerys in Meereen.
Finally, a Note on the Timelessness of Junk Grabbing
Okay, pant-sagging may not have been around in the old days, but the Incredibles did, apparently, grab junk. They were straight up Gs.